I have literally done nothing these last two weeks besides watching Mad Men – well, except going to college. But I have skipped everything – even studying at times – to watch the show. I have not watched ANY new episode of any other show, either. That’s how addicted I became to Mad Men. And I can’t say I’m surprised.
Season 4 was probably one of my favorite seasons because SO much happened. (Season 3 will always be my FAVORITE season, though.) In my season 3 post, I told you I’m looking forward to seeing the changes in season 4, and they were pretty exciting. The new agency storyline was kinda kick-ass but, just like the previous seasons, there were things I absolutely loved and things I absolutely hated.
When I tweeted last week that I was going to watch the episode, I was raided with tweets – the good kind. Everyone just kept saying how this episode was the best, ever. And they’re not the only ones so in love with the episode. This episode gave the show its fourth Emmy in a row (!) for Outstanding Drama Series at the 2011 Emmys. And it’s universally loved by critics, as well. Why? Because of a dynamic duo also known as Don and Peggy.
And then came “The Suitcase,” an episode with explosive Peggy and Don scenes – a relationship that the show has based itself on. Those two make the show what it is. It was like the writers’ reward to the fans; it was epically great.
It was Peggy’s birthday, but of course, Don had no idea. He was worried about a message
At the end of the episode, classic Don Draper is back, fresh – as if nothing had happened the last night. But then he grabbed Peggy’s hand the way she did in the pilot episode. The difference then is that he pulled away telling her he’s not her boyfriend. But at that moment, we knew their relationship is never going to be the same anymore. Whether they like it or not, they’re part of each others’ lives.
As I said before, this episode won an Emmy. But who didn’t win an Emmy for this episode? Jon Hamm and Elizabeth Moss. Both deserved that Emmy more than anyone. I mean, I love Kyle Chandler, a lot. And I cheered for him very hard when he won the Emmy for FNL, but that trophy belonged to Hamm. The most macho man in the world just broke down in that episode – like a baby. How did they not give him an Emmy for that? No one could have been more perfect than Hamm in that episode. Everything about his performance was perfect – the way this man can transform from the self-controlled and witty Don Draper to the weak and damaged Dick Whitman never ceases to amaze me. I sincerely hope he wins the Emmy this year.
There has never been a shortage of sexist asses on the show; they’re around everywhere. But I don’t think any of these characters stooped as low as Joey did in season 4. Joey was one of the new employees in the new agency; he was so cute and I loved him. I mean, remember “John and Marsha?” I loved that between him and Peggy; it was adorable.
Everyone looked at Joan in a different way – the men, I mean. They all stared at her and insinuated how attractive she was. But no one had ever called her on it the way Joey did. He made her seem cheap; he made her look like a whore. He wasn’t attracted to her, but he didn’t respect her either. The writers actually made him say the one thing they knew would make the viewers go crazy, “What do you do around here besides walking around like you’re trying to get raped?” She was raped, remember? He didn’t know that, but we did. I did, so I just wanted to strangle him. And then he drew a pornographic picture of her and hung it to her office. I don’t think any character ever humiliated Joan the way Joey did. It was horrible. She wanted to look strong and act as if she didn’t care, but you could see how broken she was.
And then when Peggy fired him, and Joan understood that all she will ever be to the men is a meaningless secretary even though she practically runs the place. By the way, that’s the episode Hendricks submitted to the Emmys and got nominated for. She should have won if you ask me. But I’m saying that about everyone today.
There were many reunions on the show between estranged characters. Ken returned to the gang. Midge was back; I don’t like her, by the way. Don and Betty had this “moment” in the finale when he told her was engaged. Anndd, Roger & Joan.
This one time that they slept together was enough for her to get pregnant. They agreed that they’d get an abortion, but she didn’t. She kept the baby but didn’t tell Roger that. And the question is: did she keep the baby because it was all she had from Roger or did she keep it simply because she wanted to have a family? I mean, she’d had two abortions before, so we know she’s not against the idea as a whole. What changed? Was it because she saw the woman at the clinic bringing in her child, so she felt old and she felt like she shouldn’t be doing something to her like that? I know I strayed away from the topic, but I’m really intrigued.
I also loved their reunion because we got to see that side of Roger we’d never seen before – the human. Not the sarcastic boss or the man pining over a young secretary. We got to see the real him – the broken man. And I always love it when we get to see the damaged sides of characters, it makes me more invested. I have to say I started liking Roger way more!
Granted, there it wasn’t much of a friendship. But it was in this season that we saw their relationship transform to two people being equals in the job – sometimes Peggy even surpassed her. One of the critics whose review I read about “The Waldorf Stories,” noticed something that actually made me think a lot. To celebrate the Clio, Joan offered to make a drink for both Don and Peggy, but when Joey asked she told him he had legs and he could get it himself. So in some way, Peggy was superior to Joan and that got on Joan’s nerves.
When Peggy fired Joey, Joan didn’t see it as Peggy helping her out. She saw it as Peggy being selfish. Peggy had fired the guy that pissed off Joan meaning that Joan wasn’t strong enough or brave enough to stand up to him, and that didn’t look good, in Joan’s opinion.
Joan: “All you’ve done is prove to them that I’m a meaningless secretary and you’re a humorless bitch.”When Lane’s father first showed up in “Hands & Knees,” he didn’t bother me much. He wanted to bring back his son to his family in Britain. He was a stern father you could tell. But then he found out he was dating an African-American Playboy Club waitress, and he hit him on the head with a cane.. and stepped on his hand until Lane said, “yes, sir.” It was scary and shocking. I’ve seen parents hit their children on this show, but they never wear grown children.
I really grew to like Sally in season 4. We started to see the damage that her douche of a father (sorry, Don. I still love you.) and her ice-queen of a mother had inflicted on her. She became friends with Glen Bishop. Remember Glen? Yep, that Glen – the kid that had a crush on her mother. She ran away from home to her father who didn’t want her – per se. When he wanted to return her to her mother, she fought him hard and then pulled away.. and as she was running away from him, she fell on the floor. Her only refuge was Megan. That’s how bad things were for her in season 4.
What did you think of this season? And are you watching season 5?
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The Suitcase is absolutely one of the best hours of television I have ever watched! It's a series high no doubt. Don and Peggy's relationship is so powerful and unique (I will puke if they ever make them romantic). The Suitcase is so great because of the variety of emotions we get to see these two display - anger, sadness, humor, pity, understanding and comfort. When Don breaks down, my friends and I sobbed. We see Don has some control right after the phone call to Cali and then he sees Peggy and can't hold it in any longer. I thought it was so fantastically well played and very realistic.
I'm watching season 5 and loving it! The series is definitely moving along with the times. Go in with an open mind! I'm glad you did these Throwback Thursday pieces and I hope you'll continue.
Minor note: Henry Francis is Betty's husband. Harry Crane is the geeky-turned-smarmy head of media at SCDP.
Yes, The Suitcase is their best episode, hands-down. It's flawless. It deserves all the awards.
And do go on with the reviews, once you're up to date with the show; I love reading other people's opinions on each episode and the different interpretations. Not to mention that I often discover things that I've missed, so I see myself in the situation of having to do a re-watch, in order to catch everything.
Okay, I know this is redundant but The Suitcase? Wow! Have to agree with everyone that it stands as the best episode of the series. I was stunned that neither Hamm nor Moss won an Emmy for it. Season 4 made me fall in love with Lane. I gasped when his father smacked him over the head with the cane! It explained a lot about Lane's character and why he's so subservient and eager to please. Oh I also liked the increase in little Sally Draper's screen time. I'm continually impressed with Kiernan's performance. One unpopular opinion: Joan and Roger are great individually and together but I've recently decided that I don't want them to become an item. I like their friendship and the clandestine romance, I just can't see anymore. The show could always convince me otherwise though.
I hope you do write ups of season 5. I think it's been great so far! At The Codfish Ball was a real stand out to me.